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newyorkclassicalreview.com
A tree grows in Carnegie as Botstein, ASO reviv…
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Kauder symphony proves a compelling rediscovery in Orche…
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Critic Picks for 2022-23
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Hybrid ensemble-band yMusic shows its best side in Carnegie Hall recital
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Midori delivers solo Bach and the moderns at Zankel Hall
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Kurzak provides most of the heat in Met’s simmering “Tosca”
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Sphinx Virtuosi color outside the lines at Carnegie Hall
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In Met debut Blanchard’s “Cha…
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New York Classical Review » Blog Archive » DiDonato leads an inspi…
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“Dead Man Walking” powerfully opens Met sea…
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“Don Carlo” returns to Met w…
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“The Hours” builds a moving, spellb…
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TENET seamlessly bridges the centuries in music of fate
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Despite some fine singing, Met’s pr…
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Uchida’s artistry shines even thr…
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Twelfth Night and soloists bring youthful spark and a rom-com heart to ...
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Terfel returns to Carnegie, voice, charm and artistry as winning as ever
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Trifonov’s existential Prokofiev with Nationa…
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