Review: Director Leigh Whannell's new 'Wolf Man' lacks bite
“Wolf Man” then jumps ahead 30 years, to adult Blake (Christopher Abbott) out in a busy San Francisco enjoying daddy-daughter time with young Ginger (Matilda Firth). Like his father, he is very protective of his child, scolding her for not getting down from a construction structure she walks atop the moment he tells her to do so.
The writer and director of “The Invisible Man,” 21st-century style, is back with an interpretation of another Universal ...
Australian creator of the Saw horror series talks about rebooting a werewolf classic and why he never thought Hollywood was ...
I brought that specific curiosity with me to the Wolf Man press day earlier this month in Los Angeles, where I had the chance ...
The director of 'The Invisible Man' creates another effective modern take on one of the iconic Universal Monsters ...
Leigh Whannell returns to the Universal vein with Wolf Man, shooting this werewolf tale full of modern anxiety.
Leigh Whannell’s Wolf Man boasts some impressive filmmaking and fresh spins on werewolf lore, but its story lacks bite.
If you’re going to pay money to see a movie called “Wolf Man,” you already know what you want: full moon, lots of mist, and a ...
Leigh Whannell follows ‘The Invisible Man’ with another update on a classic from the Universal archives, unfolding in an ...
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