In 2013 I got my first Polaroid camera, and since then I have been journeying into the world of instant film. From the inception of the Impossible Project to its recent merger, I eagerly followed the ...

I'm here today to provide you with my review / comparative overview of the Mamiya Press Super 23 and the Mamiya Universal Press cameras.

A quick tour of the Bronica SQ-Ai The front of the camera is very simple, on the bottom right (when you are holding it) is the shutter. You can (and should) lock it when the camera isn’t being used.

We are the Brothers Wright, the photographers and creators behind CineStill. Ever since the beta tests of CineStill 800T processed in C-41 chemistry, and especially once we began designing simplified ...

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and RTS cameras, the AX ...

The F2 was Nikon’s mechanical, manual flagship camera of the 1970s. Rugged and reliable construction along with a complete system of lenses, backs, viewfinders and other accessories made it the ...

NASA’s photographic documentation of their 20th century race to the Moon forms part of one of the most significant historical records of our time. The photographic films and cameras used were arguably ...

The cost of manual-focus 35mm equipment increases to rise and Nikon gear is leading the pack.

The Pentacon Six TL is a phenomenon of a camera. When I first got mine, I almost fell in love with it, because I liked the idea of shooting 6x6 and was fascinated by the bulky yet somehow elegant ...

Welcome back to part three of this guide. We’ve already covered a deep overview of the Mamiya RZ67 Professional system as well as a look at the system’s film holder options. For part three, I’ll be ...

We are, of course, talking about Kodachrome, the legendary color reversal film that was top dog in everything from family photos to fashion shoots, that lived in an adventure in nearly every film ...

There is a “rule” for shooting expired film. This “rule” states that when shooting expired film, one should add one stop of exposure per decade it has been expired. The rule is wrong and by blindly ...